In the opening pages of Iroiro. Il Giappone tra pop e sublime (2018), a book that appears to belong to the Japanese genre of zuihitsu[1] (an autobiography, a diary, a tale, a free expression of thoughts), Giorgio Amitrano asserts that in Japan, more than in other countries, artistic language is able to express the anguish… Continue reading Art in Between: Italian and Japanese Identity in Laura Liverani Work